{"id":2986,"date":"2020-10-14T11:56:54","date_gmt":"2020-10-14T09:56:54","guid":{"rendered":"https:\/\/www.djournal.de\/?p=2986"},"modified":"2020-10-14T11:57:57","modified_gmt":"2020-10-14T09:57:57","slug":"2020-10-hetjens","status":"publish","type":"post","link":"https:\/\/www.djournal.de\/2020-10-hetjens","title":{"rendered":"&#8222;G\u00f6ttliche Welten \u2013 Glaubensbilder aus 4.000 Jahren&#8220;"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><strong>Sonderausstellung im Hetjens &#8211; Deutsches Keramikmuseum in Kooperation mit den D\u00fcsseldorfer Dominikanern vom 8. Oktober 2020 bis zum 10. Januar 2021<\/strong><\/h2>\n\n\n\n<p>Nur ein kleiner Kreis von G\u00e4sten konnte an der Ausstellungser\u00f6ffnung im Hetjens &#8211; Deutsches Keramikmuseumteilnehmen.<strong>\u00a0<\/strong>Nach der Begr\u00fc\u00dfung durch Museumsdirektorin\u00a0<strong>Dr. Daniela Antonin<\/strong>\u00a0sprach\u00a0<strong>Pater Elias H. F\u00fcllenbach OP<\/strong>, Prior des Dominikanerklosters D\u00fcsseldorf. Ebenfalls ein Gru\u00dfwort sprach der Direktor LVR-Stabsstelle MiQua J\u00fcdisches Museum, K\u00f6ln\u00a0<strong>Dr. Thomas Otten<\/strong>. Die Einf\u00fchrung erfolgte durch die Kuratorin\u00a0<strong>Dr. Christina Kallieris<\/strong>.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"683\" height=\"1024\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-683x1024.jpg\" alt=\", ,\" data-id=\"2988\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2988\" class=\"wp-image-2988 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-683x1024.jpg 683w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-200x300.jpg 200w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-768x1152.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-1024x1536.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-300x450.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-850x1275.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1.jpg 1321w\" data-sizes=\"(max-width: 683px) 100vw, 683px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 683px; --smush-placeholder-aspect-ratio: 683\/1024;\" \/><noscript><img decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-683x1024.jpg\" alt=\", ,\" data-id=\"2988\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2988\" class=\"wp-image-2988\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-683x1024.jpg 683w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-200x300.jpg 200w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-768x1152.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-1024x1536.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-300x450.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1-850x1275.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens1.jpg 1321w\" sizes=\"(max-width: 683px) 100vw, 683px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Figur des Avalokiteshvara, Chinesisches Seladon, Song-Zeit (960-1279),<br><em>Fotos: Hetjens \u2013 Deutsches Keramikmuseum\/Thomas Belz<\/em><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"756\" height=\"1024\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-756x1024.jpg\" alt=\", ,\" data-id=\"2989\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2989\" class=\"wp-image-2989 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-756x1024.jpg 756w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-221x300.jpg 221w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-768x1040.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-1134x1536.jpg 1134w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-1512x2048.jpg 1512w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-300x406.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-850x1152.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2.jpg 1869w\" data-sizes=\"(max-width: 756px) 100vw, 756px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 756px; --smush-placeholder-aspect-ratio: 756\/1024;\" \/><noscript><img decoding=\"async\" width=\"756\" height=\"1024\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-756x1024.jpg\" alt=\", ,\" data-id=\"2989\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2989\" class=\"wp-image-2989\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-756x1024.jpg 756w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-221x300.jpg 221w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-768x1040.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-1134x1536.jpg 1134w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-1512x2048.jpg 1512w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-300x406.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2-850x1152.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens2.jpg 1869w\" sizes=\"(max-width: 756px) 100vw, 756px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Ernst Barlach, Schwebender Gottvater, B\u00f6ttgersteinzeug, Porzellanmanufaktur Meissen, 1922<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"689\" height=\"1024\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-689x1024.jpg\" alt=\", ,\" data-id=\"2990\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2990\" class=\"wp-image-2990 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-689x1024.jpg 689w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-202x300.jpg 202w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-768x1142.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-1033x1536.jpg 1033w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-300x446.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-850x1264.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3.jpg 1068w\" data-sizes=\"(max-width: 689px) 100vw, 689px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 689px; --smush-placeholder-aspect-ratio: 689\/1024;\" \/><noscript><img decoding=\"async\" width=\"689\" height=\"1024\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-689x1024.jpg\" alt=\", ,\" data-id=\"2990\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2990\" class=\"wp-image-2990\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-689x1024.jpg 689w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-202x300.jpg 202w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-768x1142.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-1033x1536.jpg 1033w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-300x446.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3-850x1264.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens3.jpg 1068w\" sizes=\"(max-width: 689px) 100vw, 689px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Gro\u00dfer Balustertopf mit Deckel, gl\u00fccksverhei\u00dfende V\u00f6gel und Blumen, Qing-Dynastie, Kangxi-\u00c4ra, um 1700<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1024\" height=\"743\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-1024x743.jpg\" alt=\", ,\" data-id=\"2991\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2991\" class=\"wp-image-2991 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-1024x743.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-300x218.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-768x557.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-850x617.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4.jpg 1471w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/743;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"743\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-1024x743.jpg\" alt=\", ,\" data-id=\"2991\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2991\" class=\"wp-image-2991\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-1024x743.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-300x218.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-768x557.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4-850x617.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens4.jpg 1471w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Gro\u00dfer L\u00fcsterteller mit Jesusmonogramm, Manises, Spanien, 15. Jh.<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1024\" height=\"682\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1024x682.jpg\" alt=\", ,\" data-id=\"2992\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2992\" class=\"wp-image-2992 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-850x567.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5.jpg 2000w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1024x682.jpg\" alt=\", ,\" data-id=\"2992\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2992\" class=\"wp-image-2992\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5-850x567.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens5.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Milford Nahohai, Maismehlschale mit applizierten Fr\u00f6schen, Zuni, New Mexico, USA, 2006<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"740\" height=\"1024\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-740x1024.jpg\" alt=\", ,\" data-id=\"2993\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2993\" class=\"wp-image-2993 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-740x1024.jpg 740w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-217x300.jpg 217w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-768x1063.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-1110x1536.jpg 1110w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-300x415.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-850x1176.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6.jpg 1318w\" data-sizes=\"(max-width: 740px) 100vw, 740px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 740px; --smush-placeholder-aspect-ratio: 740\/1024;\" \/><noscript><img decoding=\"async\" width=\"740\" height=\"1024\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-740x1024.jpg\" alt=\", ,\" data-id=\"2993\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2993\" class=\"wp-image-2993\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-740x1024.jpg 740w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-217x300.jpg 217w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-768x1063.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-1110x1536.jpg 1110w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-300x415.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6-850x1176.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens6.jpg 1318w\" sizes=\"(max-width: 740px) 100vw, 740px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Teller mit Tulpen und weiteren Blumen, Iznik, T\u00fcrkei, 2. H. 16. Jh. ,<br><em>Fotos: Hetjens \u2013 Deutsches Keramikmuseum\/Horst Kolberg<\/em><\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1024\" height=\"768\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-1024x768.jpg\" alt=\", ,\" data-id=\"2994\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2994\" class=\"wp-image-2994 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-1024x768.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-300x225.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-768x576.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-850x638.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8.jpg 1136w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/768;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-1024x768.jpg\" alt=\", ,\" data-id=\"2994\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8.jpg\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=2994\" class=\"wp-image-2994\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-1024x768.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-300x225.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-768x576.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8-850x638.jpg 850w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/hetjens8.jpg 1136w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">&#8222;G\u00f6tterwelten&#8220; im Hetjensmuseum, Blick indie Ausstellung<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>In Kooperation mit den D\u00fcsseldorfer Dominikanern beleuchtet das Hetjens &#8211; Deutsches Keramikmuseum &#8222;G\u00f6ttliche Welten \u2013 Glaubensbilder aus 4.000 Jahren&#8220; anhand zahlreicher ausgew\u00e4hlter Objekte polytheistischer und monotheistischer Religionen den Ausdruck von Glaubensvorstellungen aus 4.000 Jahren Menschheitsgeschichte. Neben ausgew\u00e4hlten Leihgaben aus dem R\u00f6misch-Germanischen Museum in K\u00f6ln sowie aus Privatbesitz werden zudem Kunstwerke aus dem Kirchenschatz von St. Andreas in der Ausstellung pr\u00e4sentiert. Die Schau stellt die unterschiedlichen Glaubenswelten in den vier Themenbereichen &#8222;Helden und Heilige&#8220;, &#8222;Wie wird das G\u00f6ttliche dargestellt?&#8220;, &#8222;Paradies- und Jenseitsvorstellungen&#8220; sowie &#8222;Zeichen und Symbole&#8220; vergleichend gegen\u00fcber.<\/p>\n\n\n\n<p>Religi\u00f6se Vorstellungen sind in zahlreichen Kulturen essentiell f\u00fcr die Bildung einer gemeinsamen Identit\u00e4t. Ein Gr\u00fcndungsmythos, eine aktive &#8222;Erschaffung der Welt&#8220;, bringt beispielsweise eine Daseinsberechtigung mit sich, die von den fr\u00fchen Hochkulturen bis heute nicht an Bedeutung verloren hat. Anhand religi\u00f6ser Schriften sowie mythologischer \u00dcberlieferungen wurden zudem gesellschaftsrelevante Moralvorstellungen etabliert, die nicht nur fest mit dem Glauben verbunden sind, sondern auch den Umgang der Menschen untereinander definieren.<\/p>\n\n\n\n<p>Ausschlaggebend scheinen immer die gleichen Fragen zu sein: &#8222;Woher kommen wir?&#8220;, &#8222;Welche M\u00e4chte leiten uns?&#8220; und &#8222;Was erwartet uns nach dem Tod?&#8220;. Diese grundlegenden Leitgedanken bilden ein verbindendes Element aller Religionen und Glaubenswelten.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Schweizer Schoki, Wei\u00dfes Gold<br>S\u00fc\u00dfes und Zerbrechliches vom Z\u00fcrichsee\u00a0<\/strong><\/h2>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"771\" height=\"628\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold.png\" alt=\", ,\" class=\"wp-image-2996 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold.png 771w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold-300x244.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold-768x626.png 768w\" data-sizes=\"(max-width: 771px) 100vw, 771px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 771px; --smush-placeholder-aspect-ratio: 771\/628;\" \/><noscript><img decoding=\"async\" width=\"771\" height=\"628\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold.png\" alt=\", ,\" class=\"wp-image-2996\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold.png 771w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold-300x244.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Weisses-Gold-768x626.png 768w\" sizes=\"(max-width: 771px) 100vw, 771px\" \/><\/noscript><figcaption>Kabinettausstellung<br>im Hetjens \u2013 Deutsches Keramikmuseum, D\u00fcsseldorf\u00a0<br>05.11.2020 \u2013 21.02.2021<br>Er\u00f6ffnung am Mittwoch, 04.11.2020, 18 Uhr\u00a0<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>Glanzvolle Weihnachtstradition Krakauer Krippenkunst<\/strong><\/h2>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"533\" height=\"800\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau.jpg\" alt=\", ,\" class=\"wp-image-2997 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau.jpg 533w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau-200x300.jpg 200w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau-300x450.jpg 300w\" data-sizes=\"(max-width: 533px) 100vw, 533px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 533px; --smush-placeholder-aspect-ratio: 533\/800;\" \/><noscript><img decoding=\"async\" width=\"533\" height=\"800\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau.jpg\" alt=\", ,\" class=\"wp-image-2997\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau.jpg 533w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau-200x300.jpg 200w, https:\/\/www.djournal.de\/wp-content\/uploads\/2020\/10\/Foto-Museum-der-Stadt-Krakau-300x450.jpg 300w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/noscript><figcaption>Krakauer Krippe, W\u0142adys\u0142aw S\u0142abo\u0144ski, Wieliczka,\u00a0<br>2009 Museum der Stadt Krakau\u00a0<br>\u00a0<br>26.11.20 bis 31.01.21<br>Er\u00f6ffnung Mittwoch,\u00a025.11.20, 18 Uhr\u00a0<\/figcaption><\/figure><\/div>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-small-font-size\">Titelfoto:\u00a0<em>Museumsdirektorin Dr. Daniela Antonin<\/em>, Pater Elias H. F\u00fcllenbach OP (Prior des Dominikanerklosters), Kuratorin Dr. Christina Kallieris<br><em>\u00a9 Fotos: Landeshauptstadt D\u00fcsseldorf \/ Wilfried Meyer<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonderausstellung im Hetjens &#8211; Deutsches Keramikmuseum in Kooperation mit den D\u00fcsseldorfer Dominikanern vom 8. Oktober 2020 bis zum 10. Januar 2021<\/p>\n","protected":false},"author":4,"featured_media":2987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106],"tags":[38,129,162],"_links":{"self":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/2986"}],"collection":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/comments?post=2986"}],"version-history":[{"count":2,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/2986\/revisions"}],"predecessor-version":[{"id":2999,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/2986\/revisions\/2999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media\/2987"}],"wp:attachment":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media?parent=2986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/categories?post=2986"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/tags?post=2986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}