{"id":4463,"date":"2022-01-03T09:37:38","date_gmt":"2022-01-03T08:37:38","guid":{"rendered":"https:\/\/www.djournal.de\/?p=4463"},"modified":"2022-01-03T09:38:06","modified_gmt":"2022-01-03T08:38:06","slug":"2021-01-electro","status":"publish","type":"post","link":"https:\/\/www.djournal.de\/2021-01-electro","title":{"rendered":"Electro. Von Kraftwerk bis Techno"},"content":{"rendered":"\n<p class=\"has-text-align-right has-small-font-size\"><em>von Barbara Schmitz<\/em><\/p>\n\n\n\n<p>Das D\u00fcsseldorfer Museum Kunstpalast\u00a0pr\u00e4sentiert seine erste gro\u00dfe Ausstellung zum Thema Musik. Erstmals stellt ein Museum in Deutschland die \u00fcber 100-j\u00e4hrige Geschichte der elektronischen Musik und ihre Verbindungen zur Kunst so umfangreich dar. Die\u00a0Ausstellung kann bis zum 15. Mai 2022 besucht werden.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1024x682.jpg\" alt=\", ,\" class=\"wp-image-4464 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1536x1023.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1.jpg 2008w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1024x682.jpg\" alt=\", ,\" class=\"wp-image-4464\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-1536x1023.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2_Tonhalle-Drohne-1.jpg 2008w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4465 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1.jpg 1890w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/683;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4465\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/2a_Tonhalle-Composite-1.jpg 1890w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<p>Als audiovisuelles Intro zur Er\u00f6ffnung der Schau\u00a0pr\u00e4sentierten Kraftwerk und der Medienk\u00fcnstler &amp; Produzent\u00a0Klaus H. R. Gendrung (Modern Media Group)\u00a0eine spektakul\u00e4re Laser-Sound Inszenierung,\u00a0die auch\u00a0international gro\u00dfe Beachtung fand.\u00a0Die Multimedia-Installation\u00a0&#8222;TRANS EUROPA EXPRESS&#8220;\u00a0konnte 11 Abende lang, vom 8. bis zum 18. Dezember,\u00a0auf der Fassade der\u00a0D\u00fcsseldorfer\u00a0Tonhalle\u00a0bewundert werden.\u00a0Aus der ganzen Welt reisten\u00a0Kraftwerk Fans und Liebhaber elektronischer Musik\u00a0an, um die Ausstellung und das\u00a0au\u00dfergew\u00f6hnliche\u00a0Ereignis\u00a0zu genie\u00dfen.\u00a0Jeden Abend pilgerten Zuschauer mit Decken, Gl\u00fchwein &amp; FotoEquipment bepackt zur Wiese vor der Tonhalle, um die einzigartige Pr\u00e4sentation zu genie\u00dfen.<\/p>\n\n\n\n<p>Gerade in den \u201edunklen\u201c Pandemie-Zeiten ist solch eine weithin \u201estrahlende\u201c Aufmunterung f\u00fcr alle eine wichtige Botschaft und\u00a0gleichzeitig eine geniale Outdoor Unterst\u00fctzung der &#8211; unter Corona-Auflagen stattfindenden &#8211; exzellenten Ausstellung im Kunstpalast.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"561\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1024x561.jpg\" alt=\", ,\" class=\"wp-image-4466 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1024x561.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-300x164.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-768x421.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1536x842.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-450x247.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1094x600.jpg 1094w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1.jpg 1915w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/561;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"561\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1024x561.jpg\" alt=\", ,\" class=\"wp-image-4466\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1024x561.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-300x164.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-768x421.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1536x842.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-450x247.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1-1094x600.jpg 1094w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/3_Pressefoto-1.jpg 1915w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4467 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12.jpg 1890w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/683;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4467\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/4_Tonhalle-Composite-12.jpg 1890w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<p>Die eindringlichen Kl\u00e4nge von\u00a0Kraftwerk potenzierten die visuelle Wirkung der Huldigung,\u00a0die durch eine Gruppe hochkar\u00e4tiger D\u00fcsseldorfer Unternehmen mit KulturBewu\u00dftsein und\u00a0der Tonhalle\u00a0erm\u00f6glicht wurde:\u00a0Die\u00a0CENTRUM Holding, ERGO Versicherung, STADTWERKE, VODAFONE und VOLKSBANK f\u00f6rdern ganz bewu\u00dft das Statement zur europ\u00e4ischen Vielfalt, das in der elektronische Musik, besonders gepr\u00e4gt von KRAFTWERK\u00a0und\u00a0Gendrungs neuer Lichtinstallation, dem &#8222;Comet of Europe&#8220;, die Menschen fasziniert\u00a0und inspiriert.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"682\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1024x682.jpg\" alt=\", ,\" class=\"wp-image-4468 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1536x1023.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-901x600.jpg 901w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4.jpg 1890w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/682;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1024x682.jpg\" alt=\", ,\" class=\"wp-image-4468\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1024x682.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-1536x1023.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4-901x600.jpg 901w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/5_Tonhalle-Drohne-4.jpg 1890w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"1024\" height=\"683\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4469 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6.jpg 1890w\" data-sizes=\"(max-width: 1024px) 100vw, 1024px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1024px; --smush-placeholder-aspect-ratio: 1024\/683;\" \/><noscript><img decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1024x683.jpg\" alt=\", ,\" class=\"wp-image-4469\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1024x683.jpg 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-300x200.jpg 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-768x512.jpg 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-1536x1024.jpg 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-450x300.jpg 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6-900x600.jpg 900w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/01\/6_Tonhalle-6.jpg 1890w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/noscript><figcaption><\/figcaption><\/figure>\n\n\n\n<p>Hardware: Zum Einsatz kamen wahre Kraftpakete, 8 Laser f\u00fcr die Projektion der Multimedia-Installation\u00a0auf die Tonhalle und vier Laser f\u00fcr die \u201eBeamshow\u201c vom Dach der Tonhalle zur\u00fcck zum Museum Kunstpalast. &#8222;Dirigiert&#8220; von\u00a0Christian Eilers, der als echter\u00a0Kraftwerk Fan &amp; Laser Operator, jeden Abend aufs Neue seine Professionalit\u00e4t und\u00a0Begeisterung f\u00fcr das Projekt unter Beweis stellte. Chapeau Christian! ;-)F\u00fcr den sensationellen Sound zeichnete Clair-Audio aus der Schweiz verantwortlich.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-text-color has-background has-cyan-bluish-gray-background-color has-cyan-bluish-gray-color is-style-wide\"\/>\n\n\n\n<p class=\"has-small-font-size\">@ Fotos: Julian Hupke<br>Artist: Klaus H. R. Gendrung<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Das D\u00fcsseldorfer Museum Kunstpalast pr\u00e4sentiert seine erste gro\u00dfe Ausstellung zum Thema Musik.<\/p>\n","protected":false},"author":4,"featured_media":4471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106],"tags":[200,10,28,38,102],"_links":{"self":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4463"}],"collection":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/comments?post=4463"}],"version-history":[{"count":3,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4463\/revisions"}],"predecessor-version":[{"id":4473,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4463\/revisions\/4473"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media\/4471"}],"wp:attachment":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media?parent=4463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/categories?post=4463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/tags?post=4463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}