{"id":4514,"date":"2022-03-30T16:56:49","date_gmt":"2022-03-30T14:56:49","guid":{"rendered":"https:\/\/www.djournal.de\/?p=4514"},"modified":"2022-03-30T17:00:33","modified_gmt":"2022-03-30T15:00:33","slug":"2022-03-kunsttalk","status":"publish","type":"post","link":"https:\/\/www.djournal.de\/2022-03-kunsttalk","title":{"rendered":"KUNSTTALK zum Thema &#8222;Art Now&#8220;"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>anl\u00e4sslich der Ausstellung \u201eIntangible World\u201c von&nbsp;<\/strong><strong>Kanjo Tak\u00e9<\/strong><strong>&nbsp;in der&nbsp;Kunstinitiative Wurzeln und F\u00fcgel e.V.&nbsp;<\/strong><\/h3>\n\n\n\n<p>Die spektakul\u00e4re Werkschau des D\u00fcsseldorfer Multimedia-K\u00fcnstlers\u00a0<strong>Kanjo Tak\u00e9<\/strong>, die seit November 2021 von der Kunstinitiative Wurzeln und F\u00fcgel e.V. auf Schloss Reuschenberg gezeigt wurde, ging am 23.03.2022 in die letzte Runde.\u00a0<strong>Beate D\u00fcsterberg<\/strong>, Kuratorin und Mitgr\u00fcnderin der Initiative sagte: \u201e<em>Intangible World f\u00fchrt \u00fcber drei Etagen in eine Welt des Nicht-Fassbaren, in der jeder Besucher sein ganz pers\u00f6nliches Abenteuer erleben kann<\/em>.\u201c Zu sehen waren Digital Paintings, Fotografien, Zeichnungen, Malerei und Videos aus den Jahren 2009 bis heute \u2013 darunter auch Tak\u00e9s ber\u00fchmte Geisha-Serie und die mehrteiligen Tafelbilderreihen \u201eEvolution\u201c oder \u201eHokkaido\u201c.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"904\" height=\"1194\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png\" alt=\", ,\" data-id=\"4516\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4516\" class=\"wp-image-4516 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png 904w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-227x300.png 227w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-775x1024.png 775w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-768x1014.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-450x594.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-454x600.png 454w\" data-sizes=\"(max-width: 904px) 100vw, 904px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 904px; --smush-placeholder-aspect-ratio: 904\/1194;\" \/><noscript><img decoding=\"async\" width=\"904\" height=\"1194\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png\" alt=\", ,\" data-id=\"4516\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4516\" class=\"wp-image-4516\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2.png 904w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-227x300.png 227w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-775x1024.png 775w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-768x1014.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-450x594.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-2-454x600.png 454w\" sizes=\"(max-width: 904px) 100vw, 904px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Anja Katharina Bezold, Kanjo Tak\u00e9<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"904\" height=\"1194\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png\" alt=\", ,\" data-id=\"4525\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png\" data-link=\"https:\/\/www.djournal.de\/2022-03-kunsttalk\/kunsttalk-1-1\" class=\"wp-image-4525 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png 904w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-227x300.png 227w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-775x1024.png 775w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-768x1014.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-450x594.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-454x600.png 454w\" data-sizes=\"(max-width: 904px) 100vw, 904px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 904px; --smush-placeholder-aspect-ratio: 904\/1194;\" \/><noscript><img decoding=\"async\" width=\"904\" height=\"1194\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png\" alt=\", ,\" data-id=\"4525\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png\" data-link=\"https:\/\/www.djournal.de\/2022-03-kunsttalk\/kunsttalk-1-1\" class=\"wp-image-4525\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1.png 904w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-227x300.png 227w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-775x1024.png 775w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-768x1014.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-450x594.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-1-1-454x600.png 454w\" sizes=\"(max-width: 904px) 100vw, 904px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Wolfgang Sohn, Moderatorin Anja Katharina Bezold, Kanjo Tak\u00e9<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"2008\" height=\"1622\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png\" alt=\", ,\" data-id=\"4519\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4519\" class=\"wp-image-4519 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png 2008w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-300x242.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-1024x827.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-768x620.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-1536x1241.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-450x363.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-743x600.png 743w\" data-sizes=\"(max-width: 2008px) 100vw, 2008px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 2008px; --smush-placeholder-aspect-ratio: 2008\/1622;\" \/><noscript><img decoding=\"async\" width=\"2008\" height=\"1622\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png\" alt=\", ,\" data-id=\"4519\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4519\" class=\"wp-image-4519\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5.png 2008w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-300x242.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-1024x827.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-768x620.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-1536x1241.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-450x363.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-5-743x600.png 743w\" sizes=\"(max-width: 2008px) 100vw, 2008px\" \/><\/noscript><figcaption class=\"blocks-gallery-item__caption\">Wolfgang Sohn im Gespr\u00e4ch mit dem K\u00fcnstler<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1560\" height=\"824\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png\" alt=\", ,\" data-id=\"4520\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4520\" class=\"wp-image-4520 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png 1560w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-300x158.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1024x541.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-768x406.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1536x811.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-450x238.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1136x600.png 1136w\" data-sizes=\"(max-width: 1560px) 100vw, 1560px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1560px; --smush-placeholder-aspect-ratio: 1560\/824;\" \/><noscript><img decoding=\"async\" width=\"1560\" height=\"824\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png\" alt=\", ,\" data-id=\"4520\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4520\" class=\"wp-image-4520\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6.png 1560w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-300x158.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1024x541.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-768x406.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1536x811.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-450x238.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-6-1136x600.png 1136w\" sizes=\"(max-width: 1560px) 100vw, 1560px\" \/><\/noscript><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>Im Rahmen dieser Finissage erlebten 120 geladene G\u00e4ste einen Kunsttalk zum Thema &#8222;Art Now&#8220;. Auf dem Podium unter anderem Founder der Photo-Pop-Up-Fair&nbsp;<strong>Wolfgang Sohn<\/strong>, K\u00fcnstler&nbsp;<strong>Kanjo Tak\u00e9<\/strong>sowie Moderatorin und Initiatorin&nbsp;<strong>Anja Katharina Bezold<\/strong>.<\/p>\n\n\n\n<p>Als Highlight pr\u00e4sentierte der K\u00fcnstler anschlie\u00dfend eine Manga-Fontaine auf dem Wasser als Kunst im \u00f6ffentlichen Raum. Zuvor wurde die spektakul\u00e4re Fontaine bereits in Dubai und Hamburg gezeigt.<\/p>\n\n\n\n<figure class=\"wp-block-gallery columns-2 wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1050\" height=\"1588\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png\" alt=\", ,\" data-id=\"4522\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4522\" class=\"wp-image-4522 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png 1050w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-198x300.png 198w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-677x1024.png 677w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-768x1162.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-1016x1536.png 1016w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-450x681.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-1024x1549.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-397x600.png 397w\" data-sizes=\"(max-width: 1050px) 100vw, 1050px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1050px; --smush-placeholder-aspect-ratio: 1050\/1588;\" \/><noscript><img decoding=\"async\" width=\"1050\" height=\"1588\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png\" alt=\", ,\" data-id=\"4522\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4522\" class=\"wp-image-4522\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8.png 1050w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-198x300.png 198w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-677x1024.png 677w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-768x1162.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-1016x1536.png 1016w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-450x681.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-1024x1549.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-8-397x600.png 397w\" sizes=\"(max-width: 1050px) 100vw, 1050px\" \/><\/noscript><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1632\" height=\"1286\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png\" alt=\", ,\" data-id=\"4518\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4518\" class=\"wp-image-4518 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png 1632w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-300x236.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-1024x807.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-768x605.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-1536x1210.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-450x355.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-761x600.png 761w\" data-sizes=\"(max-width: 1632px) 100vw, 1632px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1632px; --smush-placeholder-aspect-ratio: 1632\/1286;\" \/><noscript><img decoding=\"async\" width=\"1632\" height=\"1286\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png\" alt=\", ,\" data-id=\"4518\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4518\" class=\"wp-image-4518\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4.png 1632w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-300x236.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-1024x807.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-768x605.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-1536x1210.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-450x355.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-4-761x600.png 761w\" sizes=\"(max-width: 1632px) 100vw, 1632px\" \/><\/noscript><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" width=\"1792\" height=\"824\" data-src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png\" alt=\", ,\" data-id=\"4521\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4521\" class=\"wp-image-4521 lazyload\" title=\"\" data-srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png 1792w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-300x138.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1024x471.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-768x353.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1536x706.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-450x207.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1305x600.png 1305w\" data-sizes=\"(max-width: 1792px) 100vw, 1792px\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" style=\"--smush-placeholder-width: 1792px; --smush-placeholder-aspect-ratio: 1792\/824;\" \/><noscript><img decoding=\"async\" width=\"1792\" height=\"824\" src=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png\" alt=\", ,\" data-id=\"4521\" data-full-url=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png\" data-link=\"https:\/\/www.djournal.de\/?attachment_id=4521\" class=\"wp-image-4521\" title=\"\" srcset=\"https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7.png 1792w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-300x138.png 300w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1024x471.png 1024w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-768x353.png 768w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1536x706.png 1536w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-450x207.png 450w, https:\/\/www.djournal.de\/wp-content\/uploads\/2022\/03\/Kunsttalk-7-1305x600.png 1305w\" sizes=\"(max-width: 1792px) 100vw, 1792px\" \/><\/noscript><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>In diesem Zusammenhang gab der K\u00fcnstler bereits einen Ausblick auf den kommenden Sommer: In D\u00fcsseldorf wird das \u201eWasser-Ei\u201c von Kanjo Tak\u00e9 demn\u00e4chst am K\u00f6-Bogen feierlich mit den D\u00fcsseldorfer Jonges er\u00f6ffnet.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<p class=\"has-small-font-size\">\u00a9 Fotos: Dieter Hanf<\/p>\n","protected":false},"excerpt":{"rendered":"<p>anl\u00e4sslich der Ausstellung \u201eIntangible World\u201c von\u00a0Kanjo Tak\u00e9\u00a0in der\u00a0Kunstinitiative Wurzeln und F\u00fcgel e.V.\u00a0<\/p>\n","protected":false},"author":4,"featured_media":4517,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[106],"tags":[10],"_links":{"self":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4514"}],"collection":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/comments?post=4514"}],"version-history":[{"count":2,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4514\/revisions"}],"predecessor-version":[{"id":4526,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/posts\/4514\/revisions\/4526"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media\/4517"}],"wp:attachment":[{"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/media?parent=4514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/categories?post=4514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.djournal.de\/wp-json\/wp\/v2\/tags?post=4514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}